“My voice was never really that glamorous. But a big vocal range really isn’t necessary for the type of songs I sing. For what I sing, my voice does pretty well.”
(Bob Dylan to Greg Kot in August 1993)
“My songs come out of folk music…..I love that whole pantheon. To me there’s no difference between Muddy Waters and Bill Monroe.”
Oceanside ends the ride
With San Clemente commin up
And Sunday desperados slip by
And cruise with a dry buck
And the Orange drive-in, neon billing
And the theaters filling to the brim
With Slave Girls, Hot Spur, Bucket Full of Sin
– Tom Waits, Diamonds on my windshield
The Heart of Saturday Night is the second studio album by singer and songwriter Tom Waits, released on October 15, 1974 on Asylum Records.
It is a fantastic album!
(Looking for) The Heart of Saturday Night and San Diego Serenade, PBS soundstage in 1975:
The Kinks released one of their best albums, Arthur (or the decline and fall of The British Empire) October 10 in 1969. It is the seventh studio album by the band. Ray Davies constructed the concept album as the soundtrack to a Granada Television play and developed the storyline with novelist Julian Mitchell; however, the television programme was cancelled and never produced. The rough plot revolved around Arthur Morgan, a carpet-layer, who was based on Ray Davies’ brother-in-law Arthur Anning.
It is a natural successor to The Village Green Preservation Society, but it is even more British in its tone and storyline.
The Kinks – Victoria (from the concert film One For The Road):
It’s in my system. I don’t really have enough time to talk about it. If someone really wants to know, I can explain it to them, but there are other people who can do it just as well. I don’t feel compelled to do it. I was doing a bit of that last year on the stage. I was saying stuff I figured people needed to know. I thought I was giving people an idea of what was behind the songs. I don’t think it’s necessary any more. When I walk around some of the towns we go to, however, I’m totally convinced people need Jesus. Look at the junkies and the winos and the troubled people. It’s all a sickness which can be healed in an instant. The powers that be won’t let that happen. The powers that be say it has to be healed politically.
~Bob Dylan (to Robert Hilburn – Nov 1980)
Musically, this is probably Dylan’s finest record, a rare coming together of inspiration, desire and talent that completely fuse strength, vision and art.
~Jann S. Wenner (rollingstone.com – Sept. 1979)
Slow Train Coming was a collection of songs Dylan had originally intended to donate to backing singer Carolyn Dennis.
~Clinton Heylin (The Recording Sessions)
“twice as good and four times as startling as Rubber Soul, with sound effects, Oriental drones, jazz bands, transcendentalist lyrics, all kinds of rhythmic and harmonic surprises, and a filter that made John Lennon sound like God singing through a foghorn.”
….. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.
~Stephen Thomas Erlewine (allmusic.com)
Sing Me Back Home is the fifth studio album by singer and songwriter Merle Haggard, released in 1968 on Capitol Records.
“Sing Me Back Home follows the blueprint of Merle Haggard’s first three albums, balancing a hit single with album tracks and a couple of covers, but there is a difference. Where the previous album Branded Man was a transitional album, hinting that Haggard’s talents were deepening substantially, Sing Me Back Home is the result of the flowering of his talent.”
– Thomas Erlewine (allmusic)
Merle Haggard appeared on Austin City Limits nine times over the course of his legendary career. Here’s “Sing Me Back Home” from his appearance in 1978: