August 20: Bob Dylan Released Slow Train Coming

bob dylan slow train coming

It’s in my system. I don’t really have enough time to talk about it. If someone really wants to know, I can explain it to them, but there are other people who can do it just as well. I don’t feel compelled to do it. I was doing a bit of that last year on the stage. I was saying stuff I figured people needed to know. I thought I was giving people an idea of what was behind the songs. I don’t think it’s necessary any more. When I walk around some of the towns we go to, however, I’m totally convinced people need Jesus. Look at the junkies and the winos and the troubled people. It’s all a sickness which can be healed in an instant. The powers that be won’t let that happen. The powers that be say it has to be healed politically.
~Bob Dylan (to Robert Hilburn – Nov 1980)

Musically, this is probably Dylan’s finest record, a rare coming together of inspiration, desire and talent that completely fuse strength, vision and art.
~Jann S. Wenner (rollingstone.com – Sept. 1979)

Slow Train Coming was a collection of songs Dylan had originally intended to donate to backing singer Carolyn Dennis.
~Clinton Heylin (The Recording Sessions)

Continue reading “August 20: Bob Dylan Released Slow Train Coming”

August 5: The Beatles released “Revolver” in 1966

The-Beatles-Revolver

“twice as good and four times as startling as Rubber Soul, with sound effects, Oriental drones, jazz bands, transcendentalist lyrics, all kinds of rhythmic and harmonic surprises, and a filter that made John Lennon sound like God singing through a foghorn.”
~Robert Christgau

The Beatles had initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind.
~Ian MacDonald (Revolution in the Head: The Beatles’ Records and the Sixties)

….. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.
~Stephen Thomas Erlewine (allmusic.com)

Elanor Rigby:

Released 5 August 1966
Recorded 6 April – 21 June 1966,
EMI Studios, London
Genre Rock, psychedelic rock
Length 35:01
Label Parlophone (UK), Capitol (US)
Producer George Martin

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January 2: Merle Haggard released Sing Me Back Home (album) in 1968

Sing Me Back Home is the fifth studio album by singer and songwriter Merle Haggard, released in 1968 on Capitol Records.

Sing Me Back Home follows the blueprint of Merle Haggard’s first three albums, balancing a hit single with album tracks and a couple of covers, but there is a difference. Where the previous album Branded Man was a transitional album, hinting that Haggard’s talents were deepening substantially, Sing Me Back Home is the result of the flowering of his talent.”
– Thomas Erlewine (allmusic)

Merle Haggard appeared on Austin City Limits nine times over the course of his legendary career. Here’s “Sing Me Back Home” from his appearance in 1978:

A little slowed down beautiful version! Continue reading “January 2: Merle Haggard released Sing Me Back Home (album) in 1968”