
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Altogether, not a great tape but a good listen, enjoyable for its unique qualities and for Dylan’s evident enthusiasm for performing – which comes through on one of the takes of “Leopard-Skin Pill-Box Hat” and on “Dead Man, Dead Man” – even at this odd between-bands moment in a rehearsal hall in New York City. You can feel his readiness to get back on stage. He’s not only determined to stand, but raring to go.
–> Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)[/vc_message][/vc_column][/vc_row]
First you need to check this clip from the CTWIF Podcast (Jan 2020):
Continue reading “Bob Dylan: GE Smith Audition Tape (85min audio)”


[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Sometimes I think about people like T-Bone Walker, John Lee Hooker, Muddy Waters — these people who played into their sixties. If I’m here at eighty, I’ll be doing the same thing. This is all I want to do — it’s all I can do. I mean, you don’t have to be a nineteen – or twenty-year-old to play this stuff That’s the vanity of that youth-culture ideal. To me that’s never been the thing.
