November 10: The Clash released Give ‘Em Enough Rope in 1978

The Clash Give Em Enough Rope

It’s rock and roll all over
In every street and every station
Kids fight like different nations
And it’s brawn against brain
And it’s knife against chain
But it’s all young blood
Flowing down the drain

One of those albums that was played so much on vinyl that it got worn out and bought again (twice!), Fantastic album!

Give ‘Em Enough Rope is one of the greatest transition albums of all time. The Clash was a purely punk album, and the best pure punk album “evvah!” London Calling is an eclectic and unique era-spanning masterpiece. Give ‘Em Enough Rope retain their punk roots, but start to draw in more influence from a more diverse pool.  The album turns out to be one of the band’s best, what am I saying?! All their albums are must-haves! (except for the Cut The crap album of course). In true Clash fashion there’s not one bad track to spare.

Give ‘Em Enough Rope is the second studio album by the English punk rock band The Clash. It was released on 10 November 1978 through CBS Records. It was their first album released in the United States, preceding the US version of The Clash. The album was well received by critics and fans, peaking at number two in the United Kingdom Albums Chart.

Tommy Gun (live on Something Else in 1978):

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November 10: Bruce Springsteen released Live/1975–85 in 1986

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It’s not enough. By anyone else’s standards, of course, Bruce Springsteen & the E Street Band Live/1975-85 is an embarrassment of riches — five albums and ten years’ worth of barroom, hockey-arena and baseball-stadium dynamite; greatest hits, ace covers, love songs, work songs, out-of-work songs — the ultimate rock-concert experience of the past decade finally packaged for living-room consumption, a special gift of thanks to the fans who shared those 1001 nights of stomp & sweat and the best possible consolation prize for the poor bastards who could never get tickets.

~David Fricke – rollingstone.com

 

Thunder Road – October 18, 1975 at The Roxy Theatre:

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November 9: Tom Petty & The Heartbreakers released their self titled debut in 1976

“At the time Tom Petty & the Heartbreakers’ debut was released in 1976, they were fresh enough to almost be considered punk. They weren’t as reckless or visionary as the Ramones, but they shared a similar love for pure ’60s rock and, for the Heartbreakers, that meant embracing the Byrds as much as the Stones. And that’s pretty much what this album is — tuneful jangle balanced by a tough garage swagger. At times, the attitude and the sound override the songwriting, but that’s alright, since the slight songs (“Anything That’s Rock ‘N’ Roll,” to pick a random example) are still infused with spirit and an appealing surface…”
– Stephen Thomas Erlewine (Allmusic)

Tom Petty and the Heartbreakers is the debut album by the band of the same name, released on November 9, 1976 by Shelter Records.

Initially following its release, the album received little attention in the United States. Following a British tour, it climbed to number 24 on the UK albums chart and the single “Anything That’s Rock ‘n’ Roll” became a hit in the UK. After nearly a year and many positive reviews, the album reached the U.S. charts, where it peaked at number 55 in 1978 and eventually went Gold. The single “Breakdown” cracked the Top 40 in the U.S. and “American Girl” became an FM radio staple that can still be heard today.

I got the album in 79 and it made me a Tom Petty & The Heartbreakers fan for life. Continue reading “November 9: Tom Petty & The Heartbreakers released their self titled debut in 1976”

November 9 & 10: Neil Young Sugar Mountain Live at Canterbury House 1968

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Neil Young was horribly nervous before the performance and had to be coaxed from his hotel room by his manager Elliot Roberts and the minister of Canterbury House, Dan Burke. Burke tells NPR Music he remembers Neil Young huddled in Young’s hotel room bed, too scared to perform. He told Burke no one would want to hear the Buffalo Springfield tunes or his new tunes. Young was afraid he didn’t have enough material. But he was eventually persuaded to take the small stage.
~Neil Young News

This is a GREAT live album from Neil Young’s two concert @ The Canterbury House, Ann Arbor, Michigan, USA – Nov 9-10 1968.

Wikipedia:

Released December 2, 2008
Recorded November 9 and 10, 1968
Genre Folk-rock, Country rock
Length 70:15
Label Reprise

Sugar Mountain – Live at Canterbury House 1968 is a live album by Neil Young. On November 8–10, 1968, Young performed three shows at Canterbury House in Ann Arbor, Michigan. This album is compiled from the performances on the 9th and 10th.

This album is Volume 00 in the Archives Performance Series. Since volumes 2 and 3 had already been released, this album, while performed earlier chronologically, is the third release from the Series. The Riverboat 1969, released in The Archives Vol. 1 1963–1972in 2009, is the fourth Archive Performance Series released but was performed earlier chronologically than volumes 2 and 3.

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The songs, by the way, are beautiful. He does mysterious Springfield compositions (“Broken Arrow,” “Nowadays Clancy Can’t Even Sing”), and provocative newer tunes (“The Old Laughing Lady,” “The Loner”). The version here of “Sugar Mountain,” his enduring lost-adolescence lament written before Springfield, has been previously released as a B-side and on the Decade box set. But hearing it in this context adds to its impact.
~Steve Rosen (pastemagazine.com)

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Classic TV: Townes Van Zandt tribute at Austin City Limits 1997

Tribute to Townes Van Zandt
Austin City Limits
Recorded in December 7, 1997.

Townes Van Zandt, was an American singer songwriter. He is widely held in high regard for his poetic, often heroically sad songs. In 1983, six years after Emmylou Harris had first popularized it, Willie Nelson and Merle Haggard covered his song “Pancho and Lefty”, scoring a number one hit on the Billboard country music charts. Much of his life was spent touring various dive bars, often living in cheap motel rooms and backwoods cabins. For much of the 1970s, he lived in a simple shack without electricity or a phone.

He suffered from a series of drug addictions, alcoholism, and the psychiatric diagnosis bipolar disorder. When he was young, the now discredited insulin shock therapy erased much of his long-term memory. Continue reading “Classic TV: Townes Van Zandt tribute at Austin City Limits 1997”

November 8: Bonnie Bramlett was born in 1944

Bonnie Bramlett (born Bonnie Lynn O’Farrell; November 8, 1944) is an American singer and sometime actress known for her distinctive vocals in rock and pop music. This began in the mid 1960s as a backing singer, forming the husband-and-wife team of Delaney & Bonnie, and continuing to the present day as a solo artist.

Good Thing:

Bonnie Bramlett was born in Alton, Illinois. She started her musical career at the age of thirteen as a backup singer for blues acts such as Fontella Bass, Albert King, and Little Milton. Continue reading “November 8: Bonnie Bramlett was born in 1944”