John Prine (born October 10, 1946) is an American country folk singer-songwriter. He has been active as a composer, recording artist, and live performer since the early 1970s, and is known for an often humorous style of country music that has elements of protest and social commentary.
A simple boy meets girl story, somewhat complicated by the presence of a motorcycle
– Richard Thompson
1952 Vincent Black Lightning is a song by guitarist Richard Thompson from his 1991 album Rumor and Sigh. It tells the story of a thief named James and the girl Red Molly whom he charms with a ride on his 1952 Vincent Black Lightning motorcycle. Despite not being issued as a single, became a fan favourite and is one of Thompson’s most highly acclaimed solo compositions.
Some months ago me and some friends had a “music night”. Music Nights are gatherings where we pick a theme and each of us bring a playlist with 5 songs (and a few back up choices), we play our songs in turn, say why we picked the song and what it means to us. I’ve discovered many great songs and artists on these nights. This particular night the theme was “Story Songs” and one of my songs was 1952 Vincent Black Lightning by the great Richard Thompson. This made me listen, and “go into” the song even harder than I’d done before. What a great story song it is, a masterpiece.
“’Vincent’ started with the frustration of coming from Britain and wanting to reflect British culture. It’s hard to find mythological elements from my lifetime to build a song around, because American culture has been so dominant. The mythical places are Laramie and Cheyenne. ‘Going Back to Lancaster’ doesn’t have the same ring to it. It’s important to make music that incorporates elements from where you come from, so you’re contributing something of yourself into the music. If you’re from England and you’re writing about the Mississippi Delta, there’s something missing. You can be a good imitator, but what are you bringing to the process?”
– Richard Thompson, 2001
“When I was a kid, that was always the exotic bike, that was always the one, the one that you went ‘ooh, wow’. I’d always been looking for English ideas that didn’t sound corny, that had some romance to them, and around which you could pin a song. And this song started with a motorcycle, it started with the Vincent. It was a good lodestone around which the song could revolve”
– Richard Thompson to BBC radio
There was a time when I believed that you belonged to me
But now I know your heart is shackled to a memory
The more I learn to care for you, the more we drift apart
Why can’t I free your doubtful mind and melt your cold cold heart
“Cold, Cold Heart” is a country music and pop song recorded by Hank Williams. This blues ballad is both a classic of honky-tonk and an entry in the Great American Songbook. The first draft of the song is dated November 23, 1950, and was recorded with an unknown band on May 5, 1951.
This is dark stuff, filled with jealousy, bitterness and hopeless love.
Country music historian Colin Escott states that Williams was moved to write the song after visiting his wife Audrey in the hospital, who was suffering from an infection brought on by an abortion she had carried out at their home unbeknownst to Hank. Escott also speculates that Audrey, who carried on extramarital affairs as Hank did on the road, may have suspected the baby was not her husband’s. Florida bandleader Pappy Neil McCormick claims to have witnessed the encounter:
- “According to McCormick, Hank went to the hospital and bent down to kiss Audrey, but she wouldn’t let him. ‘You sorry son of a bitch,’ she is supposed to have said, ‘it was you that caused me to suffer like this.’ Hank went home and told the children’s governess, Miss Ragland, that Audrey had a ‘cold, cold heart,’ and then, as so often in the past, realized the bitterness in his heart held commercial promise.”
“Another love before my time made your heart sad and blue, and so my heart is paying now for things I didn’t do.”
I got a feelin’ called the blues, oh Lord
Since my baby said goodbye
Lord I don’t know what I’ll do
All I do is sit and sigh, oh Lord
Hank Williams signature song was released 69 years ago today.
The best music documentary ever made: Heartworn Highways
For it is just that, the best documentary about music I have ever seen! It looks like a home movie, you feel like you get insight into a world long gone and you feel like looking into a world just for the invited.
It is up on YouTube , so catch it before it gets taken down (or better, buy yourself a copy so you can see it as often as you want).
Heartworn Highways is made by James Szalapski whose vision captured some of the founders of the Outlaw Country and Singer/Songwriter movement in Texas and Tennessee in the last weeks of 1975 and the first weeks of 1976. The film was not released theatrically until 1981.
Highlights for me: The visit to Townes Van Zandt’s caravan and the Christmas party at Guy and Susanna Clark (especially Steve Earle singing Mercenary Song).
Heartworn Highways (full movie):
It took me a while to get into Grateful Dead, but when they hit me, they hit me hard! This is my second favorite of their albums (my number one is Workingman’s Dead) I should say studio albums, because I really love their early 70s live stuff.
American Beauty is the sixth album by the rock band the Grateful Dead. It was recorded between August and September 1970 and originally released in November 1970 by Warner Bros. Records. The album continued the folk rock and country music explored on Workingman’s Dead and prominently features the lyrics of Robert Hunter.
In 2003, the album was ranked number 258 on Rolling Stone magazine’s list of the 500 greatest albums of all time.