Bob Dylan’s best songs – Caribbean Wind (4 versions with lyrics)

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“I couldn’t quite grasp what [‘Caribbean Wind’] was about, after I finished it. Sometimes you write something to be very inspired, and you won’t quite finish it for one reason or another. Then you’ll go back and try and pick it up, and the inspiration is just gone. Either you get it all, and you can leave a few little pieces to fill in, or you’re trying always to finish it off. Then it’s a struggle. The inspiration’s gone and you can’t remember why you started it in the first place. Frustration sets in.”
– Bob Dylan (to Cameron Crowe)[/vc_message][/vc_column][/vc_row]

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]He spoke of one song he was particularly proud of, that he’d written “a while back”, that successfully functioned on the level of complexity of his mid-sixties material, taking the listener outside of time (I don’t know that he actually used these phrases; I’m just recalling my impression of what he told me). He said the song was called “Caribbean Wind,” and that he’d try to play it if I’d phone his assistant some afternoon before a show and remind him of my request.
– Paul Williams (BD Performing Artist 1973-86)[/vc_message][/vc_column][/vc_row]

We have 4 versions of this brilliant song, the best one is the live versions he played on November 12, 1980.

Pedal Steel version

Rundown Studios
Santa Monica, California
23 September 1980

  • Bob Dylan (vocal & piano)
  • Fred Tackett (guitar)
  • Tim Drummond (bass)
  • Jim Keltner (drums)
  • Ben Keith (pedal steel guitar)

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Alison Krauss – I Believe In You – The Best Dylan Covers

 

“They ask me how I feel
And if my love is real
And how I know I’ll make it through
And they, they look at me and frown
They’d like to drive me from this town
They don’t want me around
‘Cause I believe in you”

 

Alison Krauss – I Believe In You – The Best Dylan Covers

I Believe In You is the third song on Slow Train Coming, the nineteenth studio album by Bob Dylan, released on August 20, 1979. It was his first effort since becoming a born-again Christian, and all of the songs either express his strong personal faith, or stress the importance of Christian teachings and philosophy. The evangelical nature of the record alienated many of Dylan’s existing fans; at the same time, many Christians were drawn into his fan base. Slow Train Coming was listed at #16 in the 2001 book CCM Presents: The 100 Greatest Albums in Christian Music.

“One of the most tender love songs Dylan wrote in the 1980’s, even though the object of his affection is not a woman, but Christ. “I Believe in You” also contains arguably Dylan’s most committed vocal on Slow Train Coming. The song’s lyrics are simple but touching – “I believe in you/even through the tears and laughter” and “I believe in you/Even when I feel outnumbered” are just two examples. Indeed, the song is a simple statement on Dylan’s new found faith and the notion that Dylan will now drop everything and make any sacrifice for Christ now that his faith is strong. The song contains a beautiful melody and some lovely guitar flourishes by Mark Knopfler. One of the best songs of Dylan’s Christian period.”
– Thomas Ward (allmusic.com)

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Jerry Garcia Band – I Shall Be Released – The Best Dylan Covers

” the somber, nearly claustrophobic strains of I Shall Be Released burst with the fiery force of spiritual transcendence.”
John Metzger / Music Box

Jerry Garcia Band – I Shall Be Released – The Best Dylan Covers

 

I Shall Be Released is a 1967 song written by Bob Dylan.

The Band recorded the first officially-released version of the song for their 1968 debut album, Music from Big Pink, with Richard Manuel singing lead vocals, and Rick Danko and Levon Helm harmonizing in the chorus. The song was also performed near the end of the Band’s 1976 farewell concert, The Last Waltz, in which all the night’s performers (with the exception of Muddy Waters) plus Ringo Starr and Ronnie Wood appeared on the same stage. Additional live recordings by the Band were included on the 1974 concert album Before the Flood and the 2001 expanded CD reissue of Rock of Ages.

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Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

 

“You say you’re looking for someone
Never weak but always strong
To protect you and defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe”

 

It Ain’t Me Babe is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964. According to music critic Oliver Trager, this song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience.

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The Best Songs: Clay Pigeons by Blaze Foley

“Feed the pigeons some clay,
and start talking again,
when I know what to say…”

Michael David Fuller (December 18, 1949 – February 1, 1989), better known by his stage name Blaze Foley, was an American country music singer-songwriter, poet, and artist active in Austin, Texas.

There are two great films about Blaze Foley, the documentary, Duct Tape Messiah and Ethan Hawk’s dramatisation of the Blaze Foley memoir by Sybil Rosen, Living in the Woods in a Tree: Remembering Blaze, called Blaze. Both are good movies, well worth checking out.

Allmusic:
Blaze Foley was raised in West Texas and sang with his mother, brother, and sisters in a gospel act called the Fuller Family. Taking a pseudonym borrowed from Red Foley, Blaze performed in Houston, New Orleans, and Austin through the 1970s and ’80s, developing a strong following and respect from fellow musicians. But it was the Austin music scene, among friends like Van Zandt and Timbuk 3 — whose work Foley was an early champion of — that would become his spiritual and geographical home.

He only released one album in his lifetime, Live at the Austin Outhouse (on cassette). There have been released some good compilation albums after his, much too early, death.

“Through the bleed of a guitar microphone, you can hear stools squeaking, snatches of conversation, and general bar ambience — but at the center of it all is Foley, his deep gritty voice and songs that, much like Van Zandt’s, seem to emerge from a place of bruised, yet hopeful, solitude.”
– Eric Hage (Allmusic)

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Tom Jones – What Good Am I? – The Best Dylan Covers

““What good am I if I’m like all the rest?” the 70-year-old singer nearly whispers to open the album. Is the question rhetorical? Is he talking to himself? The performance, a cover of a somewhat obscure Dylan tune where Jones is backed up by only a sparse rhythm section, is almost prayer-like in its gentle quietness and with its heartfelt vocals. Yet no answer is given to this or Jones’ other questions throughout the song, leaving the listener to ponder the answers and making it a quite haunting piece of music.”
– Adam Sheets (NoDepression)

Tom Jones – What Good Am I? – The best Dylan covers

Bob Dylan released What Good Am I? on his classic album, Oh Mercy in 1989.

Oh Mercy is notable for its sustained moodiness and resignation, often in relation to romantic dissolution. This is immediately apparent on the atmospheric Most of the Time, which features the richest production on the album. Described as “magisterial” by Allan Jones of Melody Maker, the narrator in Most of the Time sings of an estranged lover whom the narrator can’t quite shake from his memories. The song addresses an irreconcilable, personal relationship, and this theme would continue through What Good Am I?, a frank look at the narrator’s moral worth.

What good am I some like all the rest
If I just turn away when I see how you’re dressed
If I shut myself off so I can’t hear you cry
What good am I?

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