Bob Dylan

October 12: Watch Bob Dylan’s concert in Binghamton, New York 1992

Posted on by Egil Mosbron

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]As a precursor of things to come, Winston Watson is the sole beatmaster tonight. Watson does not attempt anything too ambitious, although Dylan does attempt “Pretty Peggy-0” and “Queen Jane Approximately” to test his mettle.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)[/vc_message][/vc_column][/vc_row]

Broome County Forum
Binghamton, New York
12 October 1992

  • Bob Dylan (vocal & guitar)
  • Bucky Baxter (pedal steel guitar & electric slide guitar)
  • John Jackson (guitar)
  • Tony Garnier (bass)
  • Winston Watson (drums & percussion)

Continue reading “October 12: Watch Bob Dylan’s concert in Binghamton, New York 1992” →

Listen: Bob Dylan – Madison Square Garden, NY, 12/8/1975 – Rolling Thunder Revue

Posted on by Hallgeir Olsen

“This final night of the 1975 leg, when a huge entourage of musicians, celebrities and guests descended upon Madison Square Garden to raise awareness and funds for the defense of boxer Rubin “Hurricane” Carter, is the most monumental show of that tour.”
– Wolfgang’s Vault

This is a fantastic bootleg and a historic document, the sound is amazing. Why this wasn’t included in the official Bootleg series is a mystery to me.

“What the concert lacked in consistency it made up as a broadly inclusive compendium of musicians united in a cause. For all of the inevitable slow moments when guests shunt in and out of the spotlight, it made, for a long, relaxed yet—in Mr. Dylan’s parts, at least—zany, high‐energy, high‐intensity good time…

With this tour and with last night’s marathon concert, Mr. Dylan has reinvigorated the flagging New York folk‐rock scene, and he may well have reinvigorated the fashion of political commitment among artists. Most important of all. however, he has reinvigorated himself.”
– New York Times (Dec 9, 1975)

NYT article about the show: Continue reading “Listen: Bob Dylan – Madison Square Garden, NY, 12/8/1975 – Rolling Thunder Revue” →

Bob Dylan sings a fantastic Sara – Live Madison Square Garden – 1975

Posted on by Hallgeir Olsen

This is a very special upload. This was recorded on December 8, 1975, the final night of the first leg of the Rolling Thunder Revue. The next tour date was January 22, 1976.
– Swingin’ Pig (Youtube)

As usual from Swingin’ Pigs’ uploads, the video and especially the audio is excellent. It is very well edited and part of his alternative Rolling Thunder film.

Just too good to not share.

“I was just sitting outside my house one day thinking about a name for this tour, when all of a sudden, I looked into the sky and I heard a boom! Then, boom, boom, boom, boom, rolling from west to east. So I figured that should be the name.”
– Bob Dylan on why he called it The Rolling Thunder Revue

Sara by Bob Dylan last concert of the 1975 Rolling Thunder Revue:

The Rolling Thunder Revue was a concert tour  Bob Dylan with a traveling caravan of notable musicians, including Joan Baez,Roger McGuinn, and Ramblin’ Jack Elliott. Bob Neuwirth assembled the backing musicians, including T-Bone Burnett, Mick Ronson, David Mansfield, Steven Soles, and from the Desire sessions, violinist Scarlet Rivera, bassist Rob Stoner, and drummer Howie Wyeth. The tour included 57 concerts in two legs—the first in the American northeast and Canada in the fall of 1975, and the second in the American south and southwest in the spring of 1976.

Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

Posted on by Hallgeir Olsen

Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

 

“You say you’re looking for someone
Never weak but always strong
To protect you and defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe”

 

It Ain’t Me Babe is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964. According to music critic Oliver Trager, this song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience.

Continue reading “Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers” →

Watch Bob Dylan Performing “Honest With Me” in Glasgow – October 8, 2011

Posted on by Egil Mosbron

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Well, I’m stranded in the city that never sleeps
Some of these women they just give me the creeps
I’m avoidin’ the Southside the best I can
These memories I got, they can strangle a man[/vc_message][/vc_column][/vc_row]

Braehead Arena
Glasgow, Scotland
8 October 2011

  • Bob Dylan (vocal & keyboard)
  • Stu Kimball (guitar)
  • Charlie Sexton (guitar)
  • Donnie Herron (violin, mandolin, steel guitar)
  • Tony Garnier (bass)
  • George Recile (drums & percussion)

Continue reading “Watch Bob Dylan Performing “Honest With Me” in Glasgow – October 8, 2011″ →

Tom Jones – What Good Am I? – The Best Dylan Covers

Posted on by Hallgeir Olsen

““What good am I if I’m like all the rest?” the 70-year-old singer nearly whispers to open the album. Is the question rhetorical? Is he talking to himself? The performance, a cover of a somewhat obscure Dylan tune where Jones is backed up by only a sparse rhythm section, is almost prayer-like in its gentle quietness and with its heartfelt vocals. Yet no answer is given to this or Jones’ other questions throughout the song, leaving the listener to ponder the answers and making it a quite haunting piece of music.”
– Adam Sheets (NoDepression)

Tom Jones – What Good Am I? – The best Dylan covers

Bob Dylan released What Good Am I? on his classic album, Oh Mercy in 1989.

Oh Mercy is notable for its sustained moodiness and resignation, often in relation to romantic dissolution. This is immediately apparent on the atmospheric Most of the Time, which features the richest production on the album. Described as “magisterial” by Allan Jones of Melody Maker, the narrator in Most of the Time sings of an estranged lover whom the narrator can’t quite shake from his memories. The song addresses an irreconcilable, personal relationship, and this theme would continue through What Good Am I?, a frank look at the narrator’s moral worth.

What good am I some like all the rest
If I just turn away when I see how you’re dressed
If I shut myself off so I can’t hear you cry
What good am I?

Continue reading “Tom Jones – What Good Am I? – The Best Dylan Covers” →