We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)
A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.
In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.
The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.
…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.
The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork
Ringo was a star in his own right in Liverpool before we even met. Ringo was a professional drummer who sang and performed and was in one of the top groups in Britain, but especially in Liverpool. So Ringo’s talent would have come out one way or the other … whatever that spark is in Ringo, we all know it but can’t put our finger on it. Whether it’s acting, drumming, or singing, I don’t know. There’s something in him that is projectable and he would have surfaced as an individual … Ringo is a damn good drummer.
~John Lennon (Sept 1980)
Beatles accept award Rock and Roll Hall of Fame inductions 1988:
Beatles for Sale is the fourth studio album by the Beatles, it was released on 4 December 1964 and produced by George Martin. The album marked a minor turning point in the evolution of the Lennon -McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. I’m a Loser shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.
John, when you were in New York, what did you like best about it?
I just like cities, you see, and preferably big ones. That’s why I liked it. And we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire.
Beatles for Sale didn’t produce a single for the UK – the non-album tracks I Feel Fine and She’s a Woman performed that role. Nevertheless, that coupling was followed up in the United States by Eight Days a Week, which became their seventh number one.
There are places I’ll remember All my life, though some have changed Some forever, not for better Some have gone and some remain All these places had their moments With lovers and friends, I still can recall Some are dead and some are living In my life, I’ve loved them all
All four faces of The Beatles appear stretched on the cover of 1965’s Rubber Soul, but it is not only the picture that is mind bending, the music within stretches the boundaries of popular music, too. In my mind it is he first truly unified album by The Beatles (and their first recorded within a specified session period), it is a quantum leap compared to the band’s past work. The Songwriting is out of this world, and the instrumentation was cutting edge. A milestone in rock history. Continue reading “December 3: The Beatles Rubber Soul was released in 1965”→
“It was a funky record – it’s one of my favorite Beatle tracks, or, one of my favourite Lennon tracks, let’s say that. It’s funky, it’s bluesy, and I’m singing it pretty well. I like the sound of the record. You can dance to it. I’d buy it!”
“The thing was created in the studio. It’s gobbledygook, Come Together was an expression that Leary had come up with for his attempt at being president or whatever he wanted to be, and he asked me to write a campaign song. I tried and tried, but I couldn’t come up with one. But I came up with this, Come Together, which would’ve been no good to him, you couldn’t have a campaign song like that, right?”
– John Lennon (Playboy, 1980)
“Come Together” is a song by The Beatles written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the album Abbey Road, and was released as a double A-sided single with “Something”, their twenty-first single in the United Kingdom and twenty-sixth in the United States. The song reached the top of the charts in the US,and peaked at number four in the UK.
I really love the song, one of John’s masterpieces!
John Lennon: vocals, rhythm guitar, handclaps and tambourine
Paul McCartney: harmony vocals,electric piano and bass
George Harrison: lead guitar
Ringo Starr: drums, maracas