October 11: Johnny Cash with His Hot and Blue Guitar was released in 1957

“The first Sun Records artist to release an LP and what a debut it was. An instant pop up country star to go. The song-writing is mature already and they’re delivered with an infectious warmth in the vocal. A compelling listen and full of instant career standards like “I Walk The Line”, “Cry Cry Cry” and “Folsom Prison Blues”.”
– The Jukebox Rebel

Johnny Cash with His Hot and Blue Guitar! is the debut album by Johnny Cash, released on October 11 (wikipedia says October 14, but other sources says October 11), 1957. The album contained four of his hit singles: “I Walk the Line,” “Cry! Cry! Cry!,” “So Doggone Lonesome,” and “Folsom Prison Blues.” It was re-issued on July 23, 2002 as an expanded edition, under the label Varese Vintage, containing five bonus tracks, three being alternate versions of tracks already present on the original LP.

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Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

Johnny Cash and June Carter Cash – It Ain’t Me, Babe – The Best Dylan Covers

 

“You say you’re looking for someone
Never weak but always strong
To protect you and defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe”

 

It Ain’t Me Babe is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964. According to music critic Oliver Trager, this song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience.

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The Best Songs: Clay Pigeons by Blaze Foley

“Feed the pigeons some clay,
and start talking again,
when I know what to say…”

Michael David Fuller (December 18, 1949 – February 1, 1989), better known by his stage name Blaze Foley, was an American country music singer-songwriter, poet, and artist active in Austin, Texas.

There are two great films about Blaze Foley, the documentary, Duct Tape Messiah and Ethan Hawk’s dramatisation of the Blaze Foley memoir by Sybil Rosen, Living in the Woods in a Tree: Remembering Blaze, called Blaze. Both are good movies, well worth checking out.

Allmusic:
Blaze Foley was raised in West Texas and sang with his mother, brother, and sisters in a gospel act called the Fuller Family. Taking a pseudonym borrowed from Red Foley, Blaze performed in Houston, New Orleans, and Austin through the 1970s and ’80s, developing a strong following and respect from fellow musicians. But it was the Austin music scene, among friends like Van Zandt and Timbuk 3 — whose work Foley was an early champion of — that would become his spiritual and geographical home.

He only released one album in his lifetime, Live at the Austin Outhouse (on cassette). There have been released some good compilation albums after his, much too early, death.

“Through the bleed of a guitar microphone, you can hear stools squeaking, snatches of conversation, and general bar ambience — but at the center of it all is Foley, his deep gritty voice and songs that, much like Van Zandt’s, seem to emerge from a place of bruised, yet hopeful, solitude.”
– Eric Hage (Allmusic)

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October 7: Steve Earle released El Corazon in 1997

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]This album sort of wrote itself. It was bigger than me and faster than me and so it took me awhile to get a handle on what it was about. Basically, it comes down to stuff I care about. That’s where the title comes from.
-Steve Earle (steveearle.net)[/vc_message][/vc_column][/vc_row]

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”].. the album kicks off with a tremendous one-two punch, the rousing acoustic ballad “Christmas in Washington” and “Taneytown,” a harrowing story of race and violence backed with gale-force electric guitars. El Corazón is also a good bit more eclectic than much of Earle’s previous work, dipping into bluegrass (“You Know the Rest,” featuring backing from the Del McCoury Band), old-school country (“The Other Side of Town”), hard rock (“N.Y.C.,” co-starring the Supersuckers, and “Here I Am”), and vintage R&B (“Telephone Road”). As its title suggests, El Corazón often deals with matters of the heart, expressed with particular eloquence on “Poison Lovers” and “If You Fall,” though the song’s most emotionally resonant moment comes with its closing song, “Ft. Worth Blues,” a moving farewell to Earle’s longtime friend and mentor Townes Van Zandt.
-Mark Deming (allmusic.com)[/vc_message][/vc_column][/vc_row]

Great album, one of Earle’s best!

It’s a mix of country, folk, rock, soul, pain, redemption and politics. What a magnificent brew it is ! Truly remarkable.

Taneytown (live, Sidney, 2013):

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]This song, which is graced with Emmylou Harris singing backup, is told from the point of view of a 22 year old retarded black man. I also wrote it in the form of a short story that will be in my book. Taneytown is a real place – you can see it on maps of The Battle Of Gettysburg – but it (the story) could reallytake place anywhere racism exists. I took a risk writing the story and a risk doing this song and I don’t claim to have it well…. But just taking the chance made it worthwhile for me.
-Steve Earle (steveearle.net)[/vc_message][/vc_column][/vc_row]

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Rodney Crowell and Emmylou Harris – Shelter From The Storm – The Best Dylan Covers

Shelter from the Storm” is a song by Bob Dylan, released on his 15th studio album,Blood on the Tracks, in 1975.

Along with “Tangled Up in Blue”, “Shelter from the Storm” was one of two songs fromBlood on the Tracks to be re-released on the 2000 compilation The Essential Bob Dylan. The song also appears on two live albums by Bob Dylan — Hard Rain (from a May 1976 performance) and At Budokan (recorded in February 1978).

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Jerry Lee Lewis Sings Bob Dylan, Charlie Rich and Kris Kristofferson – Happy 85th Birthday Killer

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Rock and roll made you oblivious to the fear, busted down the barriers that race and religion, ideologies put up. We lived under a death cloud; the air was radioactive. There was no tomorrow, any day it could all be over, life was cheap… Jerry Lee Lewis came in like a streaking comet from some far away galaxy. Rock and roll was atomic powered, all zoom and doom. It didn’t seem like an extension of anything but it probably was.
-Bob Dylan (to Bill Flanagan, 2017)[/vc_message][/vc_column][/vc_row]

Jerry Lee Lewis (born September 29, 1935) is an American singer-songwriter, musician, and pianist, often known by his nickname, The Killer. He has been described as “rock & roll’s first great wild man.”

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