The story of the unreleased Watching Rainbows by The Beatles

Unreleased – Watching Rainbows by The Beatles

This is a song that gets better and better and I really wonder what it could have been if they finished it. It is the song Watching Rainbows by The Beatles. Yes, there are still some unreleased gems out there.

Maybe we’ll see more of this “song” when Peter Jackson’s new documentary is released (Sadly set on hold until August 2021 du to the pandemic):

The Beatles: Get Back is an upcoming documentary film directed by Peter Jackson that covers the making of the Beatles’ 1970 album Let It Be, which had the working title of Get Back. The film draws from material originally captured in January 1969 by director Michael Lindsay-Hogg for his 1970 documentary of the album. The Beatles: Get Back endeavours to recut Lindsay-Hogg’s film to show the friendly camaraderie that still existed between the Beatles, as well as to challenge longtime assertions that the project was entirely marked by ill-feeling.

Over 55 hours of footage and 140 hours of audio stemming from the original project were made available to Jackson’s team, and it will include the full 42-minute rooftop concert. In reference to the long-reported acrimony surrounding the original Get Back project, Jackson wrote in a press statement that he was “relieved to discover the reality is very different to the myth … Sure, there’s moments of drama – but none of the discord this project has long been associated with.”

Watching Rainbows is recorded on 14 January 1969 during the massive Get Back sessions at Twickenham Studios. It features John Lennon on lead vocal and electric piano, Paul McCartney on lead guitar, and Ringo Starr on drums. Bass guitar is absent from the song because Paul McCartney is playing George Harrison’s usual role as lead electric guitar.

Why was George absent? We’ll come to that, let us listen to the song first. Bare in mind that this is just as much a jam-session as a finished song, but we get a glimpse into what it could have been.

Watching Rainbows – The Beatles (1969) “complete” stereo version:

Watching Rainbows – The Beatles (1969) short “fan edit”:

George Harrison quit the band for a brief period starting on January 10th, 1969. At the time, The Beatles were practicing at the film studio, Twickenham, so that their rehearsals could be filmed. After a morning filed with verbal altercations between George and Paul, a quiet George Harrison eventually met up with the group and crew for lunch a bit late. Rather than joining them, he simply stated, “See you ’round the clubs” and disappeared.

The three remaining Beatles went back to the recording room not knowing what to do and unleashed an angry improvisational ruckus with John Lennon sarcastically leading the group to play The Who’s “A Quick One, While He’s Away.”

Days later, word got back to Harrison that Lennon had mentioned bringing in Eric Clapton as a replacement, which Lennon had probably said as a ploy to get George back rather than a real solution. After a five-hour meeting, Harrison rejoined the group on January 15th, 1969.


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July 10: The Beatles released A Hard Day’s Night in 1964

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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)[/vc_message][/vc_column][/vc_row]

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

HDN

In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
– Tom Ewing, Pitchfork[/vc_message][/vc_column][/vc_row]

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1970: 20 Songs Released in 1970 You Must Hear

My rules:

  • Only one song per artist/group
  • The song must be released that specific year
  • Songs from live albums not allowed
  • Restricted to only 20 songs

A lot of GREAT music was released in 1970, here are my 20 chosen songs.

  • Into the Mystic – Van Morrison

    [vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]”Into the Mystic” is one of Morrison’s warmest ballads, an Otis Redding-style reverie with acoustic guitar and horns. The lyrics are truly mysterious: “People say, ‘What does this mean?’ ” said Morrison. “A lot of times I have no idea what I mean. That’s what I like about rock & roll — the concept. Like Little Richard — what does he mean? You can’t take him apart; that’s rock & roll to me.”
    rollingstone.com[/vc_message][/vc_column][/vc_row]

    Written by Van Morrison and featured on his 1970 album Moondance. It was also included on Morrison’s 1974 live album, It’s Too Late To Stop Now. It was recorded during the Moondance sessions at A&R Recording Studios in New York City in September to November 1969. Elliott Scheiner was the engineer.

    We were born before the wind
    Also younger than the sun
    Ere the bonnie boat was won as we sailed into the mystic
    Hark, now hear the sailors cry
    Smell the sea and feel the sky
    Let your soul and spirit fly into the mystic




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December 4: The Beatles released Beatles For Sale in 1964

Beatles for Sale is the fourth studio album by the Beatles, it was released on 4 December 1964 and produced by George Martin. The album marked a minor turning point in the evolution of the Lennon -McCartney  partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. I’m a Loser shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.

John, when you were in New York, what did you like best about it?

 I just like cities, you see, and preferably big ones. That’s why I liked it. And we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire.

(Sept 13, 1964 via In The Life Of…The Beatles)

Beatles for Sale didn’t  produce a single for the UK – the non-album tracks I Feel Fine and She’s a Woman performed that role. Nevertheless, that coupling was followed up in the United States by Eight Days a Week, which became their seventh number one.

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June 18: Happy 76th Birthday Paul McCartney

“I think people who create and write, it actually does flow – just flows from into their head, into their hand, and they write it down. It’s simple.”
― Paul McCartney

“What I have to say is all in the music. If I want to say anything, I write a song.”
― Paul McCartney

Neil Young inducts Paul McCartney into the Rock and Roll Hall of Fame in 1999:

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December 19: The Beatles’ Seventh Christmas Record: Happy Christmas 1969

Chr-Rec-69-01

The final Beatles Christmas offering was also recorded separately, as the band had effectively split by this point. It features an extensive visit with John and Yoko at their Tittenhurst Park estate, where they play “what will Santa bring me?” games. Harrison only appears briefly, and Starr only shows up to plug his recent film, The Magic Christian. Paul sings his original ad-lib, This is to Wish You a Merry, Merry Christmas. Starting at 1:30, at the tail-end of Ringo’s song, the guitar solos from The End are heard, followed by Yoko interviewing John.

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