May 12: The Rolling Stones released Exile On Main St. in 1972

 

More than anything else this fagged-out masterpiece is difficult–how else describe music that takes weeks to understand? Weary and complicated, barely afloat in its own drudgery, it rocks with extra power and concentration as a result.
~Robert Christgau (http://www.robertchristgau.com)

..It’s the kind of record that’s gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock.
~Stephen Thomas Erlewine (allmusic.com)

Let It Loose:

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Feb 14: The Who recorded “Live At Leeds” in 1970

Rolling Stone [Magazine] hailed it as the best ever live album, and they may still be right…
~Chris Jones (BBC – 2007)

The only clips from this fantastic concert: 

  • Fortune Teller (0:00 to 0:05) –
  • Happy Jack (0:06 to 0:13) –
  • I’m a Boy (0:14 to 0:33) –
  • A Quick One While He’s Away (0:34 to 2:09) –
  • Christmas (2:10 to 3:05) –
  • Pinball Wizard (3:06 to 3:22) –
  • Go to The Mirror (3:22 to 3:26) –
  • Smash The Mirror (3:27 to 3:35)-
  • Tommy’s Holliday Camp (3:36 to 3:45) –
  • We’re Not Gonna Take It (with See Me, Feel Me) (3:46 at the end)

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Classic song: The Promise by Bruce Springsteen

The Promise

The first time I heard The Promise (the song)  was when “18 tracks” was released in april 1999. I had read about it and had very high expectations, I was not disappointed. The 1999 release is great and it is a new recording of a song written much earlier. Bruce said he couldn’t find a version he liked enough to release on “Tracks” and re-recorded it for “18 Tracks”. This new recording had just Bruce Springsteen and his piano, and he does a toned down but intense version. The sombre  performance enhances the stark qualities of the song.

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Best Album 2016: The Rolling Stones – Blue & Lonesome

rolling-stones-blue-and-lonesome-artwork-1024x1024

The Rolling Stones released their latest album December 2nd 2016, their first album in over a decade is a return to the blues. It is a great blues album, and a tremendous return to form by The Stones.

The album is fresh and spontaneous and was recorded in just 3 days last December (2015) with co-producer Don Was. It really sounds like band enjoying themselves.

“This album is manifest testament to the purity of their love for making music, and the blues is, for the Stones, the fountainhead of everything they do.”
– Don Was

It’s a very good introduction to the blues, by a band who clearly pours their love into the songs. We’ve included the versions that are closest to the Rolling Stones’s takes on these songs. It isn’t always the original recording.

The entire list part 3, part 2, part 1

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December 3: The Who released My Generation in 1965

 An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend’s exhilarating chord crunches and guitar distortions threaten to leap off the grooves on “My Generation” and “Out in the Street”; Keith Moon attacks the drums with a lightning, ruthless finesse throughout.
~Richie Unterberger (allmusic.com)

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November 3: The Jam released All Mod Cons in 1978

jam-cover

“All Mod Cons, released to wide acclaim in 1978, firmly cemented the group’s rise to extraordinary heights. Indeed, for many it was the first essential Jam album and listening to it now its impact has not diminished over time.”
-BBC

When I think about English records I think of  The Kinks’ The Village Green Preservation Society, The Smiths’ The Queen is Dead, The Who’s Quadrophenia and The Jam’s All Mod Cons. To me all those albums are quintessential English.

All of them are fantastic albums.

All Mod Cons:

Released 3 November 1978
Recorded 4 July 1978 to
17 August 1978RAK (Upper London) and Eden Studios
Genre Punk rock, Mod Revival, Power pop
Length 37:28
Label Polydor
Producer Vic Coppersmith-Heaven
Chris Parry

It’s their third full-length LP. It took it’s title from a British idiom one might find in housing advertisements, is short for “all modern conveniences” and is a pun on the band’s association with the mod revival as well. Of Course it is also Paul Weller’s view on the music business as a ‘con’.

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