I saw Ronnie Hawkins play near my hometown, Port Dover, Ontario, and I saw him play there on New Year’s Eve and the following spring I booked myself to be his opening act on maybe five shows, and he hired me after the first night.
-RickDankoYou put a song on the record or on tape and you stop singing it. You just don’t sit around and sing it anymore unless you’re performing. That’s kind of sad.
-Rick Danko
Continue reading “December 29: The late great Rick Danko was born in 1942”
This film should be played loud!
This is a message on a title card at the beginning of the film. The greatest concert movie ever made. This post concerns the movie, the audio releases have to wait for it’s own post.
Wikipedia:
The Last Waltz was a concert by the rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as the end of The Band’s illustrious touring career, and the concert saw The Band joined by more than a dozen special guests, including Paul Butterfield, Eric Clapton, Neil Diamond, Bob Dylan, Emmylou Harris, Ronnie Hawkins, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, Bobby Charles and Neil Young.
The event was filmed by director Martin Scorsese and made into a documentary of the same name, released in 1978. The film features concert performances, scenes shot on a studio soundstage and interviews by Scorsese with members of The Band. A triple-LP soundtrack recording, produced by Rob Fraboni, was issued in 1978. The film was released on DVD in 2002 as was a four-CD box set of the concert and related studio recordings.
Trailer:
I have several versions of the film, and I’ve seen many versions of it. I’ve seen it at the cinema, I’ve played it to death on video casette, I have two DVD releases , a blu-ray release and I’ve seen/heard quite a bit of bootlegs of the show.
This is a film that I’m really passionate about, and I have often wondered if there’s footage, filmed sequences, that is not in the official version. Whatever condition such film would be in was irrelevant, I wanted to see as much as possible of the legendary concert.
Continue reading “November 25: The Last Waltz was recorded in 1976 (full 4h20m concert)”
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“It is full of sleepers, diamonds that begin to glow at different times. As with the Beatles and Dylan and the Stones and Crosby-Stills and Nash, the album seems to change shape as you continue to play it. The emphasis shifts from song to song and songs prominent in the early listening will retreat and be replaced in your consciousness by others, only in later hearings to move to the fore again.”
– Ralph J. Gleason (Rolling Stone Magazine)
“Perhaps the best album by any Rock and Roll group ever. Timeless, soulful, seamless, a work that goes far beyond and yet is front-porch friendly.”
– M.E. Cooper (author)[/vc_message][/vc_column][/vc_row]
The Band is the eponymous second studio album by the Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman’s liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw from historic themes for “The Night They Drove Old Dixie Down”, “King Harvest (Has Surely Come)” and Richard Manuel’s “Jawbone”.
The Night They Drove Old Dixie Down (from The Last Waltz):
Continue reading “September 22: The Band Released Their Second Album “The Band” in 1969″
My rules:
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1969 was another great year in music, here are my 20 chosen songs (and those who came close).
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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]One of the greatest rock songs from any artist, “Gimme Shelter” is a glowering, snarling beast of a recording. It tiptoes in on one of music’s most recognizable chord-based riffs, ghostly “oooh’s,” and percussion ratcheting up the tension. When the full band enters—sinister low piano notes, fuzzy harmonica, organ chimes—it grabs you by the lapels and shakes you, begging you for shelter from an ominous storm.
-Bill Janovitz (Rocks Off: 50 Tracks That Tell the Story of the Rolling Stones)
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It first appeared as the opening track on the band’s 1969 album Let It Bleed. Greil Marcus, writing in Rolling Stone magazine at the time of its release, said of it, “The Stones have never done anything better.”
The recording features Richards playing in his new open tuning on electric guitar. The recording also features vocals by Merry Clayton, recorded at a last-minute late-night recording session during the mixing phase, arranged by her friend and record producer Jack Nitzsche. Lisa Fischer was later recruited to perform the song during their concerts.
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Oh, a storm is threat’ning
My very life today
If I don’t get some shelter
Oh yeah, I’m gonna fade away
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Continue reading “1969: 20 Songs Released in 1969 You Must Hear”
My rules:
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[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Madame George is the album’s whirlpool. Possibly one of the most compassionate pieces of music ever made, it asks us, no, arranges that we see the plight of what I’ll be brutal and call a lovelorn drag queen with such intense empathy that when the singer hurts him, we do too.
-Lester Bangs[/vc_message][/vc_column][/vc_row]
A song from the album Astral Weeks, released in 1968. It was recorded during the first Astral Weeks session that took place on September 25, 1968 at Century Sound Studios in New York City with Lewis Merenstein as producer.
In 1974, after he had recorded eight albums, Morrison told Ritchie Yorke when he asked him what he considered his finest single track and the one that he enjoyed the most that it was: “Definitely ‘Madame George’, definitely. I’m just starting to realize it more and more. It just seems to get at you… it just lays right in there, that whole track. The vocals and the instruments and the whole thing. I like that one.”
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Down on Cyprus Avenue
With a childlike vision leaping into view
Clicking, clacking of the high heeled shoe
Ford and Fitzroy, Madame George
Marching with the soldier boy behind
He’s much older now with hat on drinking wine
And that smell of sweet perfume comes drifting through
The cool night air like Shalimar
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Continue reading “1968: 20 Songs Released in 1968 You Must Hear”
A little faded and soft picture but great sound and music to cry for!
Robbie Robertson – Lead Guitar
Rick Danko – Bass & Vocals
Levon Helm – Drums & Vocals
Richard Manuel – Piano & Vocals
Garth Hudson – Organ & Keyboards
Continue reading “July 20: Watch The Band Live At Casino Arena, Asbury Park, NJ 1976”
