August 16: The Late Jazz Legend Bill Evans was Born in 1929

Bill-Evans

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]”My creed for art in general is that it should enrich the soul; it should teach spirituality by showing a person a portion of himself that he would not discover otherwise…a part of yourself you never knew existed.”
~Bill Evans

“To the person who uses music as a medium for the expression of ideas, feelings, images, or what have you; anything which facilitates this expression is properly his instrument.”
~Bill Evans[/vc_message][/vc_column][/vc_row]

Bill Evans – Complete Last Performance’79:

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August 14: The Who released “Who’s Next” in 1971

whos-next

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]With its acoustic guitars and drumless bits, this triumph of hard rock is no more a pure hard rock album than Tommy. … And… it uses the synthesizer to vary the power trio format, not to art things up.
~Robert Christgau

On Who’s Next, the band crossed that line with power and grace. The album spawned the concert classics “Baba O’Riley” and “Won’t Get Fooled Again”; the great Daltrey vocal vehicles “Bargain” and “Song Is Over”; Entwistle’s scorching, anxiety-ridden “My Wife”; and Townshend’s most delicate song on record, “Behind Blue Eyes.” On Who’s Next, Townshend unleashed the power of the synthesizer as a rock & roll instrument, to be used like guitar or bass rather than as a special-effects novelty.
~The New Rolling Stone Album Guide (rollingstone.com)[/vc_message][/vc_column][/vc_row]

#9 – Won’t Get Fooled Again:

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Tom Waits Best Songs (4 very different lists)

Here are 4 very different lists (as might be expected).

Barney Hoskyns – Author of  the great book “Lowside of the Road: A Life of Tom Waits

Published in his book in 2010 (before “Bad As Me” was released). Great book by the way.

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Listen: The Best Bootlegs – Neil Young, Citizen Kane Junior Blues 1974

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]I’d like to start with a kind of a quiet song. It’s called, eh … it is called … Citizen Kane Junior Blues.
– Neil Young[/vc_message][/vc_column][/vc_row]

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1969: 20 Songs Released in 1969 You Must Hear





My rules:

  • Only one song per artist/group
  • The song must be released that specific year
  • Songs from live albums not allowed
  • Restricted to only 20 songs

1969 was another great year in music, here are my 20 chosen songs (and those who came close).

  • Gimme Shelter – The Rolling Stones

    [vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]One of the greatest rock songs from any artist, “Gimme Shelter” is a glowering, snarling beast of a recording. It tiptoes in on one of music’s most recognizable chord-based riffs, ghostly “oooh’s,” and percussion ratcheting up the tension. When the full band enters—sinister low piano notes, fuzzy harmonica, organ chimes—it grabs you by the lapels and shakes you, begging you for shelter from an ominous storm.
    -Bill Janovitz (Rocks Off: 50 Tracks That Tell the Story of the Rolling Stones)
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    It first appeared as the opening track on the band’s 1969 album Let It Bleed.  Greil Marcus, writing in Rolling Stone magazine at the time of its release, said of it, “The Stones have never done anything better.”

    The recording features Richards playing in his new open tuning on electric guitar. The recording also features vocals by Merry Clayton, recorded at a last-minute late-night recording session during the mixing phase, arranged by her friend and record producer Jack Nitzsche. Lisa Fischer was later recruited to perform the song during their concerts.

    Oh, a storm is threat’ning
    My very life today
    If I don’t get some shelter
    Oh yeah, I’m gonna fade away




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Listen: The Rolling Stones @ Masonic Hall (Detroit, MI), July 6, 1978

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]This show, recorded during the ’78 tour, is a reminder of how it should be. The Stones’ strength is making a 4,000 seat theatre feel like a sweaty, smoky, beer-soaked juke joint, and they achieve it here. At times it’s loose and ugly, but that just makes it so much sweeter when they get it together. The more “modern” likes of “Miss You” and “Shattered” stand up against classic material such as “Tumbling Dice.” If Mick sounds a little out of breath, just picture him shimmying back and forth across a 100 foot stage and ask yourself if you could do the same and stay in key. This ain’t the opera – this is rock ‘n’ roll at its raw and bloody essence!
concertvault.com[/vc_message][/vc_column][/vc_row]

Masonic Temple Theatre
Detroit, MI, USA
July 6, 1978

  • Mick Jagger – lead vocals, guitar, keyboards
  • Keith Richards – guitars, vocals
  • Ronnie Wood – guitars, backing vocals
  • Bill Wyman – bass guitar
  • Charlie Watts – drums
  • Ian Stewart – piano
  • Ian McLagan – keyboards, backing vocals

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