George Harrison visited Bob Dylan in Woodstock late November 1968. They probably listened to and played a lot of songs together. He most certainly heard a new composition I Threw It All Away (Dylan recorded this one in February 1969 for “Nashville Skyline”).
Sour Milk Sea was written by George Harrison during the Beatles’ stay in Rishikesh, India, and given to Jackie Lomax to help launch Apple Records. The recording is a rarity among non-Beatles songs since it features three members of the band – Harrison, who also produced the track, Ringo Starr and Paul McCartney, the song also includes musical contributions from Eric Clapton and session pianist Nicky Hopkins, and was the first of many Harrison productions for artists signed to the Beatles’ record label.
“..it’s based on Vishvasara Tantra, from Tantric art. ‘What is here is elsewhere, what is not here is nowhere’. It’s a picture, and the picture is called ‘Sour Milk Sea’ – Kalladadi Samudra in Sanskrit. I used Sour Milk Sea as the idea of – if you’re in the shit, don’t go around moaning about it: do something about it”
– George Harrison (I, me, mine, august 1980)
George Harrison wrote “Sour Milk Sea” to promote Transcendental Meditation, which the Beatles had been studying in Rishikesh with Maharishi Mahesh Yogi. In the lyrics, Harrison espouses meditation as a remedy for worldly cares. The group recorded a demo of the song while considering material for their 1968 double album, The Beatles (also known as “the White Album”). The Demo is part of the so called Esher recordings (also called the Kinfauns tapes). This version has now been officially released on the 50th anniversary box-set of The White Album.
The Esher-version:
Continue reading “The Story of the unreleased Sour Milk Sea by The Beatles”
Unreleased – Watching Rainbows by The BeatlesThis is a song that gets better and better and I really wonder what it could have been if they finished it. It is the song Watching Rainbows by The Beatles. Yes, there are still some unreleased gems out there.
Maybe we’ll see more of this “song” when Peter Jackson’s new documentary is released (Sadly set on hold until August 2021 du to the pandemic):
The Beatles: Get Back is an upcoming documentary film directed by Peter Jackson that covers the making of the Beatles’ 1970 album Let It Be, which had the working title of Get Back. The film draws from material originally captured in January 1969 by director Michael Lindsay-Hogg for his 1970 documentary of the album. The Beatles: Get Back endeavours to recut Lindsay-Hogg’s film to show the friendly camaraderie that still existed between the Beatles, as well as to challenge longtime assertions that the project was entirely marked by ill-feeling.
Over 55 hours of footage and 140 hours of audio stemming from the original project were made available to Jackson’s team, and it will include the full 42-minute rooftop concert. In reference to the long-reported acrimony surrounding the original Get Back project, Jackson wrote in a press statement that he was “relieved to discover the reality is very different to the myth … Sure, there’s moments of drama – but none of the discord this project has long been associated with.”
Watching Rainbows is recorded on 14 January 1969 during the massive Get Back sessions at Twickenham Studios. It features John Lennon on lead vocal and electric piano, Paul McCartney on lead guitar, and Ringo Starr on drums. Bass guitar is absent from the song because Paul McCartney is playing George Harrison’s usual role as lead electric guitar.
Why was George absent? We’ll come to that, let us listen to the song first. Bare in mind that this is just as much a jam-session as a finished song, but we get a glimpse into what it could have been.
Watching Rainbows – The Beatles (1969) “complete” stereo version:
Watching Rainbows – The Beatles (1969) short “fan edit”:
George Harrison quit the band for a brief period starting on January 10th, 1969. At the time, The Beatles were practicing at the film studio, Twickenham, so that their rehearsals could be filmed. After a morning filed with verbal altercations between George and Paul, a quiet George Harrison eventually met up with the group and crew for lunch a bit late. Rather than joining them, he simply stated, “See you ’round the clubs” and disappeared.
The three remaining Beatles went back to the recording room not knowing what to do and unleashed an angry improvisational ruckus with John Lennon sarcastically leading the group to play The Who’s “A Quick One, While He’s Away.”
Days later, word got back to Harrison that Lennon had mentioned bringing in Eric Clapton as a replacement, which Lennon had probably said as a ploy to get George back rather than a real solution. After a five-hour meeting, Harrison rejoined the group on January 15th, 1969.
Continue reading “The story of the unreleased Watching Rainbows by The Beatles”
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Rules:
Please feel free to publish your own favorite songs from 1972 in the comments section…
Written by Bob Dylan in the summer of 1962. It was first recorded in Columbia Records’ Studio A on 6 December 1962 for his second album The Freewheelin’ Bob Dylan – released May 27, 1963. The lyric structure is based on the question and answer form of the traditional ballad “Lord Randall”, Child Ballad No. 12.
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Oh, where have you been, my blue-eyed son?
And where have you been my darling young one?
I’ve stumbled on the side of twelve misty mountains
I’ve walked and I’ve crawled on six crooked highways
I’ve stepped in the middle of seven sad forests
I’ve been out in front of a dozen dead oceans
I’ve been ten thousand miles in the mouth of a graveyard
And it’s a hard, it’s a hard, it’s a hard, and it’s a hard
It’s a hard rain’s a-gonna fall.[/vc_message][/vc_column][/vc_row]
Continue reading “1963: 20 songs released in 1963 you must hear”
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“Now, ladies and gentlemen, honoured by their country, decorated by their Queen, loved here in America, here are The Beatles!”
– Ed Sullivan[/vc_message][/vc_column][/vc_row]
The Shea Stadium concert on 15 August was record-breaking and one of the most famous concert events of its era. Over 55,000 people saw the concert. “Beatlemania” was at one of its highest marks at the Shea show. Film footage taken at the concert shows many teenagers and women crying, screaming, and even fainting. The crowd noise was such that security guards can be seen covering their ears as The Beatles enter the field.
The Beatles interview before Shea Stadium:
Continue reading “August 15: Watch – The Beatles at Shea Stadium in 1965”
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]”twice as good and four times as startling as Rubber Soul, with sound effects, Oriental drones, jazz bands, transcendentalist lyrics, all kinds of rhythmic and harmonic surprises, and a filter that made John Lennon sound like God singing through a foghorn.”
~Robert Christgau
The Beatles had initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind.
~Ian MacDonald (Revolution in the Head: The Beatles’ Records and the Sixties
….. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.
~Stephen Thomas Erlewine (allmusic.com)[/vc_message][/vc_column][/vc_row]
| Released | 5 August 1966 |
|---|---|
| Recorded | 6 April – 21 June 1966, EMI Studios, London |
| Genre | Rock, psychedelic rock |
| Length | 35:01 |
| Label | Parlophone (UK), Capitol (US) |
| Producer | George Martin |
Continue reading “August 5: The Beatles released “Revolver” in 1966″
