[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]This show, recorded during the ’78 tour, is a reminder of how it should be. The Stones’ strength is making a 4,000 seat theatre feel like a sweaty, smoky, beer-soaked juke joint, and they achieve it here. At times it’s loose and ugly, but that just makes it so much sweeter when they get it together. The more “modern” likes of “Miss You” and “Shattered” stand up against classic material such as “Tumbling Dice.” If Mick sounds a little out of breath, just picture him shimmying back and forth across a 100 foot stage and ask yourself if you could do the same and stay in key. This ain’t the opera – this is rock ‘n’ roll at its raw and bloody essence!
–concertvault.com[/vc_message][/vc_column][/vc_row]
Masonic Temple Theatre
Detroit, MI, USA
July 6, 1978
- Mick Jagger – lead vocals, guitar, keyboards
- Keith Richards – guitars, vocals
- Ronnie Wood – guitars, backing vocals
- Bill Wyman – bass guitar
- Charlie Watts – drums
– - Ian Stewart – piano
- Ian McLagan – keyboards, backing vocals
Continue reading “Listen: The Rolling Stones @ Masonic Hall (Detroit, MI), July 6, 1978”
[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Madame George is the album’s whirlpool. Possibly one of the most compassionate pieces of music ever made, it asks us, no, arranges that we see the plight of what I’ll be brutal and call a lovelorn drag queen with such intense empathy that when the singer hurts him, we do too.
Written and recorded by Bob Dylan. The song initially appeared on his 1967 album John Wesley Harding, and it has been included on most of Dylan’s subsequent greatest hits compilations. Since the late 1970s, he has performed it in concert more than any of his other songs. Different versions appear on four of Dylan’s live albums.